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In
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Sorted by studio...sort of.... |
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Warner
Bros.
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(1912-2002)
Director and creator resposible for many classic
cartoons and characters: The
Road Runner, Wile E. Coyote,
Pepe LePew, Michigan J. Frog,
Marvin Martian and Charlie Dog
are but a few of his creations.
Jones contributed significantly
to the personality development
of Daffy Duck, Elmer Fudd and
Bugs Bunny. He won Oscars for
"For Scentimental Reasons"
(1949), "So Much For So
Little" (1949), and "The
Dot and the Line" (1965).
Chuck worked with Dr Seuss to
direct and animate one of the
greatest holiday classics of
all time, "How the Grinch
Stole Christmas", which
was first aired in 1966, and
has been aired every year since
then. Among the many honors
that Chuck received during his
career, he received a Lifetime
Acheivement Award at the Ocsars
in 1996, which was presented
by Robin Williams. |
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(1913 - 1984)
Bob Clampett was one of the
pioneers of American Animation.
Designed the first Mickey Mouse
doll for Walt Disney. Animated
for the first Merrie Melodie
ever made, "Lady Play Your
Mandolin". Created Porky
Pig, Warner Bros. first cartoon
star. Helped to create Daffy
Duck and Bugs Bunny. Directed
some of the funniest, wildest
and most memorable cartoons
every produced at Warner Bros.
Studios.
In 1946 Clampett left Warner
Bros. and opened his own studio
where he created the EmmyAward
winning Beany and Cecil. In
1961, Beany and Cecil debuted
on ABC with their own animated
show that ran for five years
straight on the network and
to this day can be seen worldwide.
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During Ross's
30 years with Warner Bros.,
he was responsible for animating
25-30 feet of film each week,
on time and under budget! At
his desk in the infamous Termite
Terrace, Ross cavorted with
many of the most respected American
animators, including Bob Clampett
, Friz Freleng and Chuck Jones.
Although each animator has his
own signature strength, Ross's
contribution to the characters
was expression. His animation
is said to be among the finest
personality animation in the
world, evident in his characterizations
of Bugs Bunny, Yosemite Sam,
Tweety and Sylvester and many
more. In 1964, left Warner
Bros. to work for Filmation
Studios and later Hanna-Barbera.
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(1908-1980)
Animator and director responsible
for the wacky Hollywood cartoon
style of the 1940's. Directed
the first cartoons of Daffy
Duck and Bugs Bunny for Warner
Bros. and created Droopy, Screwy
Squirrel and Red Hot Riding
Hood for MGM. |
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Robert "Bob"
McKimson, Sr.
was an animator best
known for his work on the Looney
Tunes series of cartoons from
Warner Bros. After ten
years of art education, McKimson
went to work for Walt Disney.
He stayed with Disney's studio
for two years before moving
to that of Hugh Harman and Rudolf
Ising. In 1946, McKimson was
promoted to director, a position
he shared with Friz Freleng
and Chuck Jones until the closing
of the Warner Bros. cartoon
studio in 1964. During this
period, McKimson created the
character Foghorn Leghorn and
directed every cartoon starring
the character, every Hippety
Hopper/Sylvester pairing, and
every Tasmanian Devil short.
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Mel Blanc
joined Leon Schlesinger Studios
(the subsidiary of Warner
Brothers Pictures which produced
animated cartoons) in 1936.
He soon became noted for voicing
a wide variety of cartoon
characters, including Bugs
Bunny, Tweety Bird, Porky
Pig, Daffy Duck, and many
others. In the world of Voice
Acting, Mel Blanc was the
master. His natural voice
was Sylvester the Cat but
without the lispy spray. |
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Maurice
Noble
(1910-2001 )
Maurice
Noble, like many of the oustanding
artists of Southern California,
started his career with Walt
Disney. As art director, production
designer, and creative sketch
artist, his work in the various
Hollywood animation studios
since 1931 to present day
ranged from Snow White and
Dumbo to Dr. Seuss' Horton
Hears a Who and How the Grinch
Stole Christmas
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Disney
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Les Clark
(1907 - 1979)
The first
of the "nine old men,"
Mr. Clark joined Walt Disney
in 1927. His specialty was
animating Mickey Mouse, starting
with Steamboat Willie. Later,
he worked on educational films,
and he retired from Disney
in 1975. He died in 1979.
He was named a Disney Legend
ten years after his death.
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Ollie Johnston
(1912 - )
Mr. Johnston graduated from
Stanford University. In 1935,
he was an animator for the
Studio at the Walt Disney
Company, where he worked on
two dozen films, including
Snow White and the Seven Dwarfs.
He retired in 1978, and was
honored as a Disney Legend
in 1989. His life was the
subject of a documentary,
with Frank Thomas, in a 1995
film called Frank and Ollie.
He was honored as a Disney
Legend in 1989.
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Ward Kimball
(1914 -2002)
Mr. Kimball joined Disney
in 1934, and is best remembered
for his creation of Jiminy
Cricket in the movie, Pinocchio.
He worked in a variety of
areas for the Walt Disney
Company, and his love of trains
not only started Walt on the
hobby, but was reflected in
his work as a consultant for
the EPCOT attraction, The
World of Motion. He was honored
as a Disney Legend in 1989.
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John Lounsbery
(1911 - 1976)
Mr. Lounsbery began his career
at the Studio in 1935, working
on the classic features starting
with Snow White... He died
in February 1976, and was
honored as a Disney Legend
in 1989.
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Frank Thomas
(1901 - 2004)
Mr. Thomas was both an animator
and author, ceaselessly creative
in both fields of endeavor.
As an animator, he joined
the Studio in 1934 and worked
on many early shorts. Later,
working on the classics, he
created memorable scenes,
such as Bambi and Thumper
on the ice, and the Lady and
the Tramp moments where the
couple are eating spaghetti.
Mr. Thomas retired from Disney
in 1978, but continued to
work prolifically as an author,
sometimes in partnership with
his old friend (and fellow
member of the "nine old
men"), Ollie Johnston.
Their books include the ultimate
animation classic, Disney
Animation: The Illusion of
Life. (See Mr. Johnston's
bio, above, for their documentary.)
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The
Others
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| Jay
Ward
(1920-1989)
Jay Ward was
the head of Jay Ward Productions.
Jay Ward was neither an animator
nor a writer, though he did
collaborate with Bill Scott
in the writing of a few early
episodes before the other writers
were hired. Best known for
Bullwinkle Cap'n Crunch
Crusader Rabbit
Dell Comics Dudley Do-Right
of the Mounties Fractured
Fairy Tales George of
the Jungle Gold Key Comics
Hoppity Hooper
Peabody's Improbable History
Rocky & Bullwinkle
Super Chicken
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(1905-)
Former magazine
cartoonist who joined MGM
in 1937 after an application
to the Disney studios was
unsuccessful. With fellow
MGM employee William Hanna,
Barbera earned a place in
animation history by creating
the ever-popular, ever-violent,
but everlasting "Tom and Jerry"
characters in 1940 and producing
more than one hundred of the
often delightful cat-and-mouse
shorts over the next two decades,
seven of which earned Oscars
for Best Animated Short. |
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In 1941 Melendez
signed on with Leon Schlesinger
Cartoons, which later became
Warner Bros. Cartoons, animating
some of the most memorable
Bugs Bunny, Daffy Duck, and
Porky Pig short subjects.
In 1948 he went to work for
United Productions of America
(UPA) to work on such noted
shorts as Madeline, Gerald
McBoing-Boing and numerous
television commercials. The
next ten years were spent
directing industrial films
for John Sutherland Productions
and over 1,000 television
productions for Playhouse
Pictures. During this time
Melendez won international
acclaim at the Cannes, Edinburgh
and Venice Film Festivals,
plus over 150 commercial awards.
Between 1957 and 1961 he won
three Art Director's Medals.
Out of 20 winners in the 1960
American TV Commercials Festival
in New York, 18 were directed
by Bill Melendez. |
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Dr. Seuss
(1904-1991)
He
began working for a magazine
titled Judge, submitting cartoons
and articles. He also started
submitting cartoons to Life,
Vanity Fair, and Liberty.
It was one of these cartoons
for an insecticide called
Flit that got him noticed
by the company. He also made
documentaries, of which twoHitler
Lives and Design for Deatheach
won him an Oscar. He won an
additional Oscar for his cartoon
Gerald McBoing-Boing (A
Brief). Seusss
involvement in WWII didnt
stop at his documentaries
and animated cartoons. He
published numerous political
cartoons as well.
Other awards Seuss received
include doctorates in literature
and fine arts from seven universities
and a Pulitzer Prize in 1984.
Among all of his childrens
books he has won several awards,
as well as having many turned
into animated cartoons. Seuss
has also won two Emmy Awards
and a Peabody Award. |
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| Jim
Davis
(1945
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Jim Davis was
raised on a small farm in Indiana.
As on most farms, the barnyard
had its share of stray cats
-- about 25 at one time, by
Jim's estimation. Jim studied
the comics pages very closely
and noticed there were a lot
of successful strips about dogs,
but none about cats. He combined
his wry wit with the art skills
he had honed since childhood,
and Garfield, a fat, lazy, lasagna-loving,
cynical cat, was born. Jim says
Garfield is a composite of all
the cats he remembered from
his childhood, rolled into one
feisty orange fur ball. Garfield
was named after Jim's cantankerous
grandfather, James Garfield
Davis. The strip debuted on
June 19, 1978, in 41 U.S. newspapers.
Today, Garfield is read in 2,600
newspapers by 263 million readers
around the globe. Jim Davis
has had many successes with
Garfield, including four Emmy
Awards for Outstanding Animated
Program and induction into the
Licensing Hall of Fame (1998),
but his most prized awards are
from his peers in the National
Cartoonists Society: Best Humor
Strip (1981 and 1985), the Elzie
Segar Award (1990) and the coveted
Reuben Award (1990) for overall
cartooning. |
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Ralph Bakshi
(1938-
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Ralph Bakshi
began his career following
his high school graduation
as an animator with Terrytoons,
inking such cartoon characters
as Heckyll and Jeckyll and
Mighty Mouse. He launched
his fine
art and First Cartoon portrait
here at Animazing Gallery
in 2000. Right now, Ralph
is working with Klasky-Csupo
on a new project. |
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| Gene Deitch
(1924
- )
Gene Deitch
is an Oscar-winning animation
film director and scenarist
born in August 8th, 1924. In
1946 he started as an apprentice
in the then cutting edge Hollywood
animation studio, UPA, working
as an assistant Production Designer
on the first Mister Magoo cartoons
for Columbia Pictures. Within
five years he rose to be Creative
Director of UPA's New York studio,
where among his many gold-medal
winning films were the famous
Bert & Harry Piels beer commercials.
His TV commercials were the
first ever shown at the New
York Museum of Modern Art. In
1956 CBS purchased the Terrytoons
animation studio and named Gene
Deitch as its Creative Director.
Under his supervision and direction,
the studio produced 18 CinemaScope
cartoons per year for 20th Century-Fox,
and won its very first Oscar
nomination. He personally created
and directed the TOM TERRIFIC
series for the CBS nationwide
Captain Kangaroo show
which was the very first
animated serial for network
television. In 1958 he set up
his own studio in New York,
Gene Deitch Associates, Inc.
Of special note was his adaptation
of Maurice Sendak's Where the
Wild Things Are. Gene Deitch
recently won the Winsor McCay
Award in recognition for his
lifetime of contributions towards
animation. |
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Bob
Singer
(-)
Bob Singer
has been credited with such
shows as "Flintstones,"
"The Jetsons," "Jonny
Quest," "Scooby
Doo," "Space Ghost"
and many other Hanna- Barbera
classics. Not-so-retired,
after nearly 30 years working
side by side creating characters
with Bill Hanna & Joe
Barbera, Bob continues to
devote his talent to paint
inspired classic scenes for
Animazing gallery, where he
is showcased exclusively. |
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(1867-1934)
Known as the Father of Animation,
Windsor McCay pioneered the
fundamental process of animation
by using original drawings to
create the illusion of motion.
His rare Gertie
The Dinosaur, (circa
1918) drawings were drawn with
ink on rice paper, and still
exist in special museum and
private collections. This American
cartoonist and illustrator was
very popular in his day, and
also introduced the milestone
films Little Nemo and The Sinking
of the Lusitania. Historically,
McCay is in a league only with
himself.
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(1900-1994)
Creator of Woody Woodpecker
and Chilly Willy and veteran
cartoon maker whose studio launched
the careers of Tex Avery, Virgil
Ross, Clyde Geromini, Shamus
Culhane, and many others. Lantz
produced theatrical cartoon
shorts for more than fifty years
(longer than any other studio),
and he won an Oscar for Special
Achievement in 1979. |
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(1884-1972)
Inventor of the rotoscope and
the head of the most innovative
animation studio of the 1920's
and 1930's. Fleischer pioneeredsound
cartoons, the combination of
live action with animation,
three-dimensional sets and extra-length
cartoons. His studio also brought
KoKo the Clown, Betty Boop,
and Popeye to the screen. |
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| Grim
Natwick
(1890-1990)
He created the
character of Betty Boop, probably
the only female animated cartoon
character to achieve world-wide
popularity. When he came to
Disney's for the sole purpose
of helping to animate the lead
character in the world's first
feature cartoon, he was well
over twice the age of most of
his colleagues, and left the
studio after Snow White, joining
his former boss Max Fleischer
for his first feature Gulliver's
Travels. He later worked for
UPA Studios. His work on the
character of Snow White, however,
will always remain the highlight
of his long career and one of
the cornerstones of that films's
greatness and lasting power
for more than sixty years. |
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(1901-2000)
Carl Barks was one of the world's legendary comic artists, and was the father of the Donald Duck and Uncle Scrooge comics. Beginning his career at Disney in the thirties, his talent was soon recognized by his employer and colleagues. He soon made solo albums, including the entire 'Uncle Scrooge' series.
From 1943 to 1966 Carl Barks wrote and drew hundreds of Disney's Donald Duck comics. He created Duckburg and several new characters for the comics (Uncle Scrooge McDuck, Gyro Gearloose, Gladstone Gander) and gave 'the Duck family' real human feelings. His stories are masterpieces of escalating storylines, and are great entertainment for all ages.
The 'Old Duck Man', as Barks affectionately was called, stopped working for Disney in 1968 and started painting for his own pleasure. Barks became a successful painter, selling many of his works. Sadly, he died from leukemia at his home in Grants Pass, Oregon in August 2000, at the age of 99.
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The New Generation
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Best known as
creator and executive producer
of the Emmy Award-winning series,
THE SIMPSONS, Groening made
television history by bringing
animation back to prime time
and creating an immortal nuclear
family. Groening is also
well known for his weekly "Life
in Hell" cartoon strip,
an irreverent portrayal of life's
daily preoccupations that debuted
in 1977 and currently appears
in more than 200 newspapers
around the world.
In addition
to producing his weekly strip,
maintaining the production demands
of THE SIMPSONS, overseeing
all aspects of Simpsons licensing
and merchandising, as well as
serving as publisher of Bongo
Comics Group, Groening is the
creator and executive producer
of the FOX series FUTURAMA,
an animated look into the 30th
century. FUTURAMA debuted in
March 1999. |
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A former engineer,
Mike Judge achieved animation
renown for his dead-on idiot
savant satire of American
suburban teen culture in the
MTV phenomenon Beavis and
Butthead. Beavis and Butthead
ran for several years, spawning
lucrative merchandising and
Judge's first big-screen feature,
Beavis and Butthead Do America
(1996). Judge branched out
into network TV in 1997 with
Fox's popular, Emmy-nominated
animated comedy series King
of the Hill, featuring executive
producer Judge as the voice
of laconic Texas propane salesman
and family man Hank Hill.
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John
Kricfalusi
(1955-)
John
Kricfalusi has taken animated
cartoons seriously all his life.
Throughout elementary school
he drew Hanna-Barbera and Warner
Bros. characters and wrote stories
about them. He attended Sheridan
College in Oakville, Ontario,
but really learned about animation
by studying Warner Bros. cartoons,
particularly the films of Bob
Clampett. Kricfalusi created
the hit cartoon series The Ren
and Stimpy Show on Nickelodeon
through his animation studio
Spumco. |
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Comic Book Superheros
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Neal Adams
(1941- )
Neal Adams
is a self-proclaimed commercial
artist. Although he studied
at New York's School of Industrial
Art, it could be argued that
Adams received his real education
in a series of apprenticeships
and early assignments that
gave him a broader experience
of the possibilities of graphic
art than any other comics
professional of his generation.
He began working at Archie
comics at the age of 18. After
working for DC comics, Adams
joined Marvel as a young superstar
and saved the title X-Men
from immediate cancellation.
He created Continuity Studios
which has developed various
properties of it's own and
others, including Bucky O'Hare,
Skeleton Warriors, CyberRad,
Ms. Mystic, Nighthawk, etc.
for TV and comics. |
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| Stan
Lee
(1922-
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Born Stanley
Lieber in New York in 1922,
Stan Lee entered the comic book
scene at seventeen, as assistant
editor for the Timely comics
group. In 1942, he was promoted
to editor. Stan Lee wrote numerous
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